Ebook Download The Bodies Left Behind: A NovelBy Jeffery Deaver
Ebook Download The Bodies Left Behind: A NovelBy Jeffery Deaver
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The Bodies Left Behind: A NovelBy Jeffery Deaver
Ebook Download The Bodies Left Behind: A NovelBy Jeffery Deaver
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Jeffery Deaver’s New York Times bestseller, The Bodies Left Behind , is now available from Encore and will coincide with the hardcover and audio of Deaver’s latest thriller, Edge .
A call to the police from a vacation house on the isolated Lake Mondac is cut short. Was it a phone glitch or something worse? Off-duty police deputy Brynn McKenzie leaves her family at the dinner table to investigate—and walks right into a nightmare when she stumbles upon the scene of an atrocious, gruesome murder. Brynn realizes that the perpetrator hasn’t left the crime scene yet, but it’s already too late to call for backup—dense woods surround the house, and there is nowhere for her to run but into the hostile Wisconsin wilderness. Will Brynn be his next victim?
Deaver’s trademark plot twists and ticking bomb suspense tactics leaves listeners wanting more, and the real-time chronology of The Bodies Left Behind makes it an intense, fast-paced, and visceral experience that will shock listeners until the very last moment.
- Sales Rank: #1316626 in Books
- Published on: 2008-11-11
- Released on: 2008-11-11
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.16" w x 6.12" l, 1.23 pounds
- Binding: Hardcover
- 368 pages
Amazon.com Review
Amazon Best of the Month, November 2008: Nothing is as it seems in The Bodies Left Behind, Jeffrey Deaver's quintessential can't-put-it-down thriller about an off-duty cop who investigates an aborted 911 call from a secluded vacation home and ends up on the run. From the opening scene (that'll keep even the bravest of you at home with the doors locked and the shades drawn), Deaver delivers a clever page-turner that reads like one of his tightly plotted and fast-paced short stories (fans should check out Twisted). Endlessly surprising (there is more than one jaw-dropping plot twist) and supremely gripping (two hours after cracking this stand-alone thriller, I came up for air and took a moment to shake the cramp out of my fingers), The Bodies Left Behind is one of the most entertaining thrillers of the year. --Daphne Durham
From Publishers Weekly
Usually a strong plotter, bestseller Deaver (The Bone Collector) fails to deliver on the promise of this stand-alone thriller's nicely creepy opening. When two masked men break into the isolated lakeside weekend house of Steven Feldman, who works for the Milwaukee Department of Social Services, and his wife, Emma, an attorney who may have stumbled on union corruption in the course of some corporate research, Steven has just enough time to phone 911 before the intruders shoot him and Emma dead. That interrupted plea for help brings Deputy Brynn McKenzie, who possesses a set of predictable emotional baggage (an abusive ex-wife, a troubled teenage son), to the scene. A protracted and less than suspenseful game of cat-and-mouse between McKenzie and the hired guns responsible for the murders ensues. A few twists will catch some readers by surprise, but the pacing and characterizations aren't up to Deaver's best. (Nov.)
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From Booklist
*Starred Review* Deaver, who has written one excellent thriller after another, is such a good puppet master that he makes us believe whatever he wants us to believe, even things that are false, without telling us a single lie. He practices misdirection through dialogue: a character says something he believes to be true, and so we believe it, too, without questioning the assumptions on which the character is basing his statement. A perfect example of how this technique can be used to perfection occurs in Deaver’s latest, in which Brynn McKenzie, a Michigan police deputy investigating a suspicious 911 emergency call, finds herself being pursued through the woods by a pair of killers. And when she meets up with a woman who is also being hunted, Brynn has two lives to protect, and precious few resources with which to do it. The novel, which in some places may remind readers of Barry England’s Figures in a Landscape (1997), is vintage Deaver: tightly plotted, with plenty of right-angle plot twists and pitch-perfect dialogue. It’s not until we’re well more than halfway through the book that we even begin to suspect that we might have made some dangerous mistakes, accepted certain things at face value merely because the characters in the book sold them to us so successfully—but by then, it’s way too late, and we are completely at Deaver’s mercy. --David Pitt
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